The GoPro is great at what it does well – shooting action video. But, like a lot of cameras out there, it kinda sucks at recording great audio.
Sure, things have improved a lot with the newer versions of the GoPro (Hero8 and 9). They both have stereo mics on the front and a rear mic which can help with wind noise canceling. But, ultimately, if you want great sound you have to add an external mic.
There are lots of options ranging from simple lapel-mounted lavalier mics to more feature-rich and top audio shotgun mics.
It will depend on your purpose and budget, so I have separated them out into categories for you to easily find the one for you.
But before you go buying a microphone for your GoPro Hero, you have to first figure out how to attach and connect it…
First things first. Before you run off and buy the best external mic you can find, you need to know the limitations and possibilities for your GoPro. Just like with tripods, not all mics and connectors are created equal.
Below I will break it down by the GoPro Hero model because things have changed from the earlier GoPro Hero4, 5, and 6, all the way up to the more recent GoPro Hero 8 and 9.
In general, with the later model GoPros (HERO9, HERO8, etc) you have two options:
The Media Mod for the HERO9 is the simplest option because you just attach it to your GoPro and you get a built-in external mic with noise reduction.
It also comes with lots of other useful media features including:
So, it also allows you to attach other external microphones, which means more options in the end.
If you don’t want all the fuss of the Media Mod, or just don’t need all the features, then the 3.5mm adapter is the simplest approach. It is a little on the chunky side of things given how little it does, but it also has some benefits. It is a cheaper and simpler option than the Media Mod and it has a right angle built-in which is handy for attaching microphones.
In all their wisdom, GoPro decided to change how things worked in these models. For any models later than the GoPro 4 you have to buy the official GoPro adapter and it is needed for both mini-USB and 3.5mm audio connectors.
There is also another plus and minus with this connector.
Plus: it now has a right-angle connector, which moves it out of the way a bit.
Minus: It is massive because it has some of the required tech inside it.
Things were kind of easier back in the day. So, if you have a GoPro Hero 4 or 3, you are in luck.
These models could connect to an external microphone either directly – via the mini-USB connector (normally for charging).
OR via an adapter, which coverts from mini-USB to a standard 3.5mm microphone connector. The official one is now quite hard to get, so this one from Movo is the best option – because many of the cheaper/non-official alternatives are a bit flaky. Feel free to try them, but there are so many bad reviews out there I don’t feel comfortable listing any.
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The following shotgun microphones are great if you are not zooming down a slope on your bike or skis They offer great audio and in fact, a lot of vloggers use them on their bigger cameras too.
TRRS refers to Tip Ring Ring Sleeve as shown above.
The only thing to be aware of is that because of the TRRS connector they come with, you will need a TRRS-TRS adapter.
Best OverallOne of the best and most popular external mics around is the Rode Video Micro.
It’s compact, relatively cheap, high quality, and easy to connect to your GoPro HERO.
Rode is renowned for producing quality audio, so you know you are in good hands, and this thing comes with a windshield (awesome for recording while on the move).
It comes with a shock-absorbing mount attachment, which you can attach to a shoe mount. For the GoPro, this means adding it to the hotshoe mount on top of the Media Mod. Some smartphones also have such mounts if you plan on using it on that too.
TIP: If you are shooting wide-angle you might want to raise the Rode Microphone a bit and this adapter from Movo is a great way to do that.
Perhaps the second-best Rode option is this directional microphone that delivers nice and crisp auto every time.
It is also quite compact for what you get and at just over 2oz, also super lightweight – which is ideal for a small camera like the GoPro HERO.
Shure is another great brand for capturing that audio you wish the GoPro could. This one is a very high-end option.
This is more of a serious model, with its own power source, mechanical suspension for better noise isolation, and hot shoe mount for stability. It also connects with the 3.5mm jack, which is nice and easy.
Like the Rode above, this mic outputs only mono, but in two channels, so for those looking for stereo try the Sennheiser below.
Most people love this mic because of its solid aluminum construction, ability to remove the microSD card (for separate recording), and the audio out (for monitoring). It also has a screen for easy adjustment of settings.
It is a little heavy though at around 10oz with batteries, and they don’t last that long (10hrs or more). But with AA are easily replaced.
A dead cat windshield is also sold separately and adds quite a lot to the price.
Lavalier microphones are a great option if you are the only one talking to the camera and don’t want to fuss around with more complex options. I used to use the below Rode lavelier on screencast Youtube videos as well and the sound was quite amazing considering the size of them.
These microphones also tend to come with a TRRS connector, so don’t forget the adapter.
Another solid choice from Sennheiser, who you probably know from their great earphones. The Sennheiser MKE 400 is quite similar to the Shure mic above, having its own battery (AAA) as a power supply and a shock mount to help reduce noise.
It also features an all-metal housing, which is great news for a robust and long life (not that you are going to throw this around, but it helps).
The controls are not as fancy as those on the Shure, but there are enough to allow you to tweak the settings (for long and short distances) and also a wind setting to help reduce the noise we all love to hate.
All in all, this is a simple but quality mic for those that just want something that works.
Lavalier microphones are a great option if you are the only one talking to the camera and don’t want to fuss around with more complex options. I used to use the below Rode lavelier on screencast Youtube videos as well and the sound was quite amazing considering the size of them.
These microphones also tend to come with a TRRS connector, so don’t forget the adapter.
Best Lav MicRode once again comes to the rescue when it comes to small and portable microphones that deliver great audio.
I own this one personally and use it for audio on my main camera for Youtube videos.
It beats my camera’s audio by a mile and delivers great quality.
You can use it with their app on your phone (which they focus on) but you can also just plug it into any device that accepts audio input like the GoPro HERO. You just need to grab the SC3 adapter as you do with all Lavalier mics to get them to work with the GoPro.
I thought I would include another microphone from Shure because they are so well-reviewed and produce such great sound.
Like the Rode above, it comes with its own small pouch which is great for keeping it protected and clean. It also has a clip to easily attach to your shirt or elsewhere.
There is a small noise reduction deadener included, which should be enough for most.
If you really want to go the “whole hog” then wireless microphone systems are the way to go. Reduce the cables, keep the sound quality.
The only downside if you need to always keep everything charged.
Wireless optionThe Rode Wireless Go offers the basic setup for wireless with a lav microphone and the sender/receiver kit. It operates at 2.4GHz digital with 128-bit encryption, in case privacy is something you are concerned about.
It uses a high-quality omnidirectional condenser microphone so you know you are getting great sound from Rode. And you get reception up to 230ft / 70m, so a decent enough distance to still be in frame but audible. Anymore more kinda doesn’t make too much sense for shooting video, right?
One of the best solutions you can get is a shotgun mic. It provides you with great audio quality and control. If you just want to give that a try, and not break the bank, the Rode VideoMicro Compact is your best option. There are more expensive options in the Shotgun Mic section, but Rode produces awesome stuff at a reasonable price.
If you like the sounds of a lavalier/lapel mic to help capture your voice while you are doing your “thang”, I would again go with the tried and true Rode smartLav+ which is one of the best and reasonably priced on the market. There are cheaper, but you pay for what you get.
Lots of options, lots of choices, but in the end it comes down to purpose and price!